La journ\u00e9e de cette ann\u00e9e a litt\u00e9ralement commenc\u00e9 par des coups de tambour : L’ensemble de maillets Oberer Sempachersee de l’\u00e9cole de musique Oberer Sempachersee a enthousiasm\u00e9 le public avec son \u00e9nergie et sa virtuosit\u00e9, avant que Christoph Reich, m\u00e9decin du sport et musicien zurichois, ne montre comment les concepts d’autogestion peuvent \u00eatre transpos\u00e9s de l’entra\u00eenement sportif \u00e0 la pratique musicale. Selon Reich, un probl\u00e8me de surcharge est tout d’abord la cons\u00e9quence d’une augmentation trop rapide ou trop ponctuelle de la charge. Les facteurs m\u00e9caniques et statiques influencent la r\u00e9serve de tol\u00e9rance. Ils doivent \u00eatre d\u00e9termin\u00e9s et adapt\u00e9s.
\nCinzia Cruder (Conservatorio della Svizzera Italiana et University of Applied Sciences and Arts of Southern Switzerland) et Dawn Rose (Hochschule Luzern – Musik) ont pr\u00e9sent\u00e9 les recherches actuelles des hautes \u00e9coles de musique suisses. Ces derniers s’associent heureusement pour \u00e9valuer les risques de troubles musculo-squelettiques li\u00e9s au jeu (Playing-Related Musculoskeletal Disorders, PRMD) dans le cadre d’une \u00e9tude \u00e0 long terme. Cinzia Cruder a pr\u00e9sent\u00e9 les r\u00e9sultats de son \u00e9tude paneurop\u00e9enne \u00ab Rismus \u00bb (\u00ab Risk Of Music Students \u00bb).<\/p>\n","protected":false},"excerpt":{"rendered":"
Der Nationale Gesundheitstag Musik der Swissmedmusica hat am 9. November 2024 im Neubad Luzern die Br\u00fccke zwischen Musikp\u00e4dagogik, Sport- und Musikermedizin geschlagen.<\/p>\n","protected":false},"author":1,"featured_media":2191,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-2188","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gesundheitstag-musik"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"fr","enabled_languages":["de","fr","it","en"],"languages":{"de":{"title":true,"content":true,"excerpt":true},"fr":{"title":true,"content":true,"excerpt":false},"it":{"title":false,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"jetpack_featured_media_url":"https:\/\/swissmedmusica.ch\/wp-content\/uploads\/2024\/11\/241113_SMZ_SMM_Foto-scaled.jpg","_links":{"self":[{"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/posts\/2188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/comments?post=2188"}],"version-history":[{"count":8,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/posts\/2188\/revisions"}],"predecessor-version":[{"id":2196,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/posts\/2188\/revisions\/2196"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/media\/2191"}],"wp:attachment":[{"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/media?parent=2188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/categories?post=2188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/swissmedmusica.ch\/fr\/wp-json\/wp\/v2\/tags?post=2188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}